I never want to sell my soul for something I don't believe in. Because guess what? Somebody somewhere in the world would have believed in that part and should be playing it - who am I to not allow that person that opportunity?

For me, there is safety in playing a woman that is very sexualized and having a woman direct you with that.

The size of a studio film lets you see technology in a way that you wouldn't on an independent film, like the gadgets and the angles and all that.

I think it's important to find projects that evoke people into conversation. It's like reading a good book. You want to talk about it.

I've been really lucky to work with a lot of really great actors, so watching the films back, it's really important to admire the people that you were working with and see their full performance.

There are two movies where I keep my clothes on. My parents will be very proud. They're challenging characters, which I'm excited about.

That's the great thing about the 'Sin City' movies. Each little slot is incredibly meaningful, and each character has their own moment.