I find standard American the hardest. It really fits in a different place in your mouth. Southern, I find the easiest. If you talk to a dialect coach and you get sort of technical, where an English person keeps their voice in their throat, a Southern person does the same, and it's got the same sort of music to talking.

I think there are so many unmaiden roles for women. I've been lucky enough to play girls with lots of different attitudes about sex. There's a couple other movies at Sundance that also show sex in a different way. That's exciting. I actually don't think women are being pigeonholed right now, and I like that. It's showing that men and women - when it comes down to it, we're animals, aren't we? I know how my next-door neighbors feel about it, and I hope they're enjoying it.

I think it's important to find projects that evoke people into conversation. It's like reading a good book. You want to talk about it.

But, I love making independent films. I love it! You create a family, and you sweat, you bleed, you cry, you shout, you laugh and you hug. It's such an extraordinary experience, making independent films.

A big thing for me is trusting the director, so I don't need to watch playback. I feel like the director is gonna tell me whether it's right or not.

It's important to not be naive about this world and know that it's not necessarily a good place to be.

What's exciting about watching a movie, when it's finished, is you sometimes you don't recognize yourself, and that's when I'm really proud.