I find standard American the hardest. It really fits in a different place in your mouth. Southern, I find the easiest. If you talk to a dialect coach and you get sort of technical, where an English person keeps their voice in their throat, a Southern person does the same, and it's got the same sort of music to talking.

But, I think it's great to be able to work with established directors, and then also first-timers. I feel like you learn from both of them, but then you can go and share your knowledge with each of them. That's really fantastic!

I was brought up in a very open, rural countryside in the middle of nowhere. There were no cell phones. If your lights went out, you were lit by candlelight for a good four days before they can get to you. And so, my imagination was crazy.

There will always be ways to pay my rent, whether I wind up having to be a waitress on the side or whatever it is, but I think it's so important for me to do things that I'm passionate about.

I've been really lucky to work with a lot of really great actors, so watching the films back, it's really important to admire the people that you were working with and see their full performance.

I hope I can keep acting because I love it. It's like a crazy, addictive rollercoaster... it takes you up and down, up and down, up and down but you just don't want to get off. I just want to keep challenging myself... finding new roles, trying out new things and learning.

I think film should be interactive. But at the same time, it's also great to go see a big popcorn movie and be taken to a complete fantasy world.