I've been involved with some huge studio projects that have been bloody awesome. It all starts with a great script, doesn't it?

I just want to work forever. I absolutely love what I'm doing. I learn all the time from all these amazing artists.

That's the great thing about the 'Sin City' movies. Each little slot is incredibly meaningful, and each character has their own moment.

On an independent film, you really learn about pace. You have so little time to do things, that you really have to know your scenes.

There's such an array of brilliant roles for young women. You read all these amazing young women going through different stages in their life - different stages, different fascinations, different textualities, different friendships.

I've been really lucky to work with a lot of really great actors, so watching the films back, it's really important to admire the people that you were working with and see their full performance.

You don't always have to look in the distance for what's going on over there, when you actually see what's right in front of you.