I was really drawn to thinking about the women in my life. Thinking about my mother, who's a very powerful force on me. And I have these two very strong sisters who took up a lot of imaginary space in my life.

Usually at the end of each story we're thrown clear out of the story's world and then we're given a new world to enter. What's unique about a linked collection is that it can deliver both sets of narrative pleasures - the novel's long immersion into character-world and the story anthology's energetic (and mortal) brevity - the linked collection is unique in its ability to be both abrupt and longitudinal simultaneously.

I love the kookiness of our speech. Speech is like wonderful magic and poetry in itself. I've always had to crib a lot from what I've heard.

I think what happened to me was that I was always being taught to look, but one day I started to see. And it was because a lot of women in my life were refusing just to be looked at, to be this passive figure.

Anger has a way of returning.

We know story collections end when they end, as well - the pages serving as a countdown - but nevertheless the standard story anthology hews closer to what makes being human so hard: it reminds you with each story how quickly everything we are, everything we call our lives can change, can be upended, can disappear. Never to return.

I've always thought that you don't love a country by turning a blind eye to its crimes and to a problem. The way that you love a country is by seeing everything that it's done wrong, all of its mistakes, and still thinking that it's beautiful and that it's worthy.