As an artist you're on a journey of discovery and sometimes that journey takes a long time, doesn't subscribe to [a] train schedule, to the punch-clock. And I need to read a lot to make my pages happen.

When I was thinking about these women characters, no matter how bad a person I am - a bad writer, my limitations, my sexism, you know - the thought was, it would be useful as a writer to try to create a template for all the male writers, especially Dominican male writers, especially males of color, of how a writer can use seeing to create more nuanced representations of women.

I'm really into the rights of immigrants, the rights of the working poor. I'm one of those little activist types. I probably would have just gone to law school. And the scary part is that I was one of those kids who always tested really well. You put a test in front of me, and I would have been like do-do-do-do-do. I probably would have been some community lawyer somewhere - if anything, that's probably what I would have been doing.

We all dream dreams of unity, of purity; we all dream that there's an authoritative voice out there that will explain things, including ourselves. If it wasn't for our longing for these things, I doubt the novel or the short story would exist in its current form. I'm not going to say much more on the topic. Just remember: In dictatorships, only one person is really allowed to speak. And when I write a book or a story, I too am the only one speaking, no matter how I hide behind my characters.

When you're the ones in the life raft and you have four or five women in the life raft who put it together, by the end of it your nerves are blown. The people you're going to attack are the people who are helping you, who you are holding it together with.

I find reading to be a delight, a source of comfort, a way to explore.

Dominican men are told to look at women all the time, but they're definitely not told to see them.