I think what a lot of people forget is that a lot of the music in the '60s and the '70s was made in the spirit of daring, spontaneity, and adventure, so the minute all that sinks into this sense of a classic form, it has lost its spirit.

I have a lot of experience in playing all sorts of venues. And one of my interests is to understand what constitutes the vibe of a place and what makes one concert different from another. You can't fully measure or calculate these things, yet they are absolutely evident once you're on stage.

I am very sensitive to music, so I can quite easily allow myself to access that space in which I am completely taken over. And you can get quite a reaction out of the crowd when you do that.

On a very technical level, I am a geek who is interested in the intricacy of rhythm playing, so I like comparing and working out its details.

When I was growing up, my idea of Led Zeppelin was all epic lasers, castles, and ten-minute drum solos - that sort of thing.

I do understand the perspective of die-hard fans who complain that we don't play the same as the record, but at the same time I think fans are getting an amazing deal.

The human condition is what it is. We can see beauty and wonder in the world, but we also face imminent death and uncertainty, and we often need to sidestep the idea of time and communicate with each other, not with words but with a sense of community and union. I don't want to make an overreaching statement, but I think that's the function of culture.