I think the origins of music have probably to do with magic and transcendence as well.
In a lot of African instruments, you find a rattle, and sound engineers have a hard time making sense of it.
I don't want to copy the people I admire - I'd rather find out what inspired them and try to find my own way through it.
I think where you play is important.
I am not scared of making mistakes.
I think what a lot of people forget is that a lot of the music in the '60s and the '70s was made in the spirit of daring, spontaneity, and adventure, so the minute all that sinks into this sense of a classic form, it has lost its spirit.