I feel like every time you get to make a sequel, it's a privilege. It means that people have embraced it and want the journey to continue.

We ultimately get to know ourselves a little bit better by pushing forward.

I became a filmmaker because I wanted to deal with issues that intrigued me, that I thought were pertinent, that would start dialogue.

I feel like every time you get to make a sequel, it's a privilege. It means that people have embraced it and want the journey to continue.

I think ultimately that sense of hope is something that even as a little kid I was able to kind of grab onto.

It is very important to support what you believe in.

There's an anxiety of wanting to please the studios. You want to prove to them that you can do it and sometimes you might jump at a project that you're not totally passionate about.