Any good movie or script usually, if they're doing their job, gives the highest platform possible for an actor to leap off of, and that script was very high up there. It was a very smart, tight script. There was a lot of improv, as well, once we got to the set, but a lot of the original script was also in there.

I didn't really because I know myself well enough to know that if I actually sit down and think about sort of I can spook myself out like anyone, you know? It's sort of like you've got to sort of jump out of the airplane when you're skydiving. If you spend 20 minutes sitting on the lip you probably won't do it.

I devoured TV - everything from Super Friends in the morning to Dukes of Hazzard and The Love Boat and Fantasy Island at night. I watched it all. There were only four channels, so you could actually consume all of television if you were good at changing the channel.

If I was roped into a seven-year TV contract I'd probably hang myself.

There's a logic to dreams that doesn't necessarily follow linear narrative. You don't know why things happen, it's your subconscious pushing you, to give you information.

I was always acting. I was doing after-school plays and stuff like that. But I wasn't doing well in any of the schools, so by ninth or tenth grade, I ended up going to a boarding school.

Being a fan of comedy, it's so unique, in their own voice. I was really stoked to be able to participate. They're so great at just coming up with stuff on the fly and making stuff funny.