Any good movie or script usually, if they're doing their job, gives the highest platform possible for an actor to leap off of, and that script was very high up there. It was a very smart, tight script. There was a lot of improv, as well, once we got to the set, but a lot of the original script was also in there.

I'm not method or anything like that, but sometimes you get the scenes and you're like 'Really, Damon [Lindelof]? More of this? Can I have one scene where it's a walk in the park?' But he doesn't do that. He puts every character through their paces.

Unless you hit your television with a sledgehammer, you're not going to be able to be an individual.

In New York, you can bump into someone on the street and go to a thing, go get coffee real quick.

If I was roped into a seven-year TV contract I'd probably hang myself.

I had such a distaste for '70s clothing. So, the '90s were a rough period for me because I got made fun of for wearing what they used to call "pegged pants." Now they call them "skinny jeans."

I hate when people make a really good product and then stop making it. I get annoyed.