Unless you hit your television with a sledgehammer, you're not going to be able to be an individual.

I didn't really because I know myself well enough to know that if I actually sit down and think about sort of I can spook myself out like anyone, you know? It's sort of like you've got to sort of jump out of the airplane when you're skydiving. If you spend 20 minutes sitting on the lip you probably won't do it.

I hate when people make a really good product and then stop making it. I get annoyed.

In New York, you can bump into someone on the street and go to a thing, go get coffee real quick.

When you hear about people in the '50s getting married at 20, you're like, What were they thinking? My grandparents were together for over 50 years.

There was a moment, late into the season, where I was noticing I was darkening a little bit at night. I was like, 'It will be nice when the show is over for the season. I need a vacation.'

I would always choose the script. You get more creative control that way. But, when you're in a situation like this, where everyone is really funny and you really want to do it, that's the chance of a lifetime, so you want to do it. But, a script has longer legs than a performance and, in the end, is more satisfying. It's harder, but it's more satisfying.