There was a time when doing "Zoolander 2" that I was literally flying between the "Zoolander" shoot and "The Leftovers" in Texas and at that point, I was getting comedy whiplash. It was a relief, though, to get to Rome and be like, "Oh my God, I get to laugh on set."

I always go to bed thinking I'm the luckiest guy in the world.

I didn't have a lot of ambition, which I think was a good thing. I mean, I was ambitious about quality, but I wasn't ambitious in the "I've got to get a pilot!" way. I never went out to L.A. for pilot season.

There was a moment, late into the season, where I was noticing I was darkening a little bit at night. I was like, 'It will be nice when the show is over for the season. I need a vacation.'

I didn't really because I know myself well enough to know that if I actually sit down and think about sort of I can spook myself out like anyone, you know? It's sort of like you've got to sort of jump out of the airplane when you're skydiving. If you spend 20 minutes sitting on the lip you probably won't do it.

After my parents got divorced, I had to go right into public school in the fourth grade. The Steiner school had never really taught me how to read, so it was a rude awakening. I was playing catch-up the whole time.

When I was 13, I kind of got into the punk scene. I realized it was easier to wear a pair of combat boots and jeans and a beat-up T-shirt. I think of it as a uniform: Ya know, if you're a Maytag man, you put on your bow tie. I still have T-shirts from when I was that age.