To hit 100 miles per hour, that's something. I couldn't believe it when I first saw it, but it's something I can do and think about.

When an artist wants to paint a painting, they have all those things in their head that they want to portray on a canvas. It's the same thing when I'm pitching. I have all these thoughts going through my head about how I want to pitch: which pitch I want to throw here, and why do I want to throw it?

I like to challenge hitters with a 'Here it is, hit it,' mentality. It's definitely a big part of my game, especially when I get in situations where I need it. I usually save a little bit so it's there for me.

To hit 100 miles per hour, that's something. I couldn't believe it when I first saw it, but it's something I can do and think about.

I am always going to be working on location, even if I have a 20-year career. Talk to me in 15 years and I will still be working on location. It's something I can always do better. Right now, it's not nearly where it could be, so it gives me something to work on every day.

I use high velocity to keep hitters off balance.

I want to show that I can pitch well and get along with the guys in the locker room.'