You never have to be scared to look to the future for opportunity.

We got in after a ten hour drive after sleeping for four hours. I'm not complaining here. I'm really not complaining. Ten hour drive to get here, we unload, we sound check, we get here we take photos, we do this. I haven't eaten anything today. It's like... And I'm not even hungry.

I want to be able to write on my walls. I think that's the big thing.

I just understand... I mean this may sound kind of bigheaded, bullheaded, or cumbersome, but when people say they've had a really deep experience with the record, like it caused a divorce or it like...I've gotten all these stories.

It makes sense that that's part of the story and everything, but that's part of any story of any record - where was it record and how long and what were the people doing. I think people want to know where these events are made. That's why I like the word "record."

It was all the things I wanted my music to be, but yet it wasn't grand and it wasn't obtuse - it wasn't overshooting, it wasn't undershooting, it was precise. The lyrics and the way that I was able to extract and excavate emotion within me.

I'm trying to think about stuff like that: How can a show not be just a whining guy with a guitar.