If it wasn't for this person's privacy, I'd be able to talk pretty freely about this subject on a personal level. The record's about not her. It's about my struggles through years of dealing with the aftermath of lost love and longing and just mediocrity and just bad news, like life stuff. And in the [record], where the title comes from, the lyrics are actually a conversation between me and another girl, not this Emma character.

I've been trying to catch up to it. Just trying to get with it, feel behind it a little bit, but that's good actually, probably. That way, I'm still sort of understanding it.

I feel like this thing [that] we're rocking back and forth like we're stuck in a snow bank and we all sort of know it. I feel like people are getting less and less pretentious and less and less hip - hopefully.

I don't find inspiration by just sitting down with a guitar anymore. I lost that. I started being so interested in other kinds of music.

I'm super happy to see the record doing its thing and for people to like it, but for me, I had a great victory just as a person. I overstepped countless obstacles by creating that record. And the record's a metaphor for the personal steps I [took] throughout the past year.

I think I've always been aware of it with my music. I think growing up basically and having a lot to deal with and just slowing down and having something to say and something to retract from, I think I just knew that what I was doing was extremely honest.

I am generalizing, of course, but in hip-hop, it's like you get this shine for using the word "pussy" a billion times, and I think that that's weirdly healthier than not doing it at all - even though I really hope it ends soon because, you know, how many decades can we do that?