Hip-hop in Africa has been very often a duplication of an American experience, but in a context that's totally alien to it.

I think it's a mistake to work on success in career. I've worked on my passions obsessively. How can I say what I want to say more precisely than the last time I said it? Success is such an elusive concept. When you work for it, I think you get it in a way you might regret it.

It was not my dream to be an artist. How could it have been? I thought, artist, much like a leader, was something you either were or weren't. Never something you set out to be.

I do think that some of my songs, like Take a Minute, are like the train between the two worlds. It starts out with the question of "how did Gandhi ever withstand the hunger strikes and all / he didn't do it to gain power or money as I recall," and its sweep reaches all the way to this part of the world. I think maybe I'm a translator, because I lived in both worlds and truly understand them. I understand the discontent that comes from not having. But I also understand the anxiety that comes from wealth and convenience.

The pirates are serving a purpose right now. They come from regions which have been completely ignored, and Westerners have tried to destroy these regions by their constant plundering of resources and by the illegal dumping of nuclear waste. The pirates really began in order to discourage these actions - initially. And then the business became lucrative.

Somalis really are very musically sophisticated, and they're about their own thing.

It's not longer 'Look what I can do, I can do it better then you.' It's just I am.