[Do you know] how it feels to be a clownish character? It's always complicated to imagine conveying yourself outside of your body. Inside myself I feel like this rich, complicated thing, and then I see representations of myself, especially in the media - and I think this is why it's troubling for me, because I feel so caricatured and flattened.
Kalan SherrardI do what I do because it seems to be critically missing in the world and I want to see it not-happen.
Kalan SherrardMost of the things are either not communicable through human expression or they're top secret. Also I'm working on being a better person, and becoming more disciplined.
Kalan SherrardI also eschew the identity of "puppeteer" it is a concept that blurs the boundaries of discrete objects and persons. I do think Anarchist Nihilist Puppet Show is my day job.
Kalan SherrardI like street performance because it's garbage time. The subway is garbage time: no one can say I'm wasting their time because they've already thrown that time into the subway. If they don't want to see me they can go to the other end of the platform. But on the street I do feel this disgust towards the audience: why would you waste your time looking at me? Why are you being so respectful of me? You should attack me.
Kalan SherrardIโm not doing anything wrong, Iโm not obstructing anyoneโs access. When I have a crowd I make sure that the crowd makes room for people. Iโm an artist who cares about the cultural fabric of New York City. I care about New York as a harbor for street culture - and I care about street culture as a base-level populist diffusion of ideas. And I believe in making those ideas accessible to everyone.
Kalan Sherrard