It's interesting how as an artist you keep evolving, but if you can get into the contemporary art space, if the works are in institutions and museums, they keep living on and on and on, even if you move to a different space, that work is still operating.

When you get a critique, people think you're criticizing them but it's really an intellectual conversation. You can't get emotionally attached.

If I have a piece that's solely based on the web and it's going to also exist in a gallery, it needs to exist in a gallery where it doesn't feel redundant.

If you want to be somewhere, you should go to that place and check it out.

Even though the art world goes through trends, you do know that it'll come up again.

If I want to do something in the TV industry, I should be allowed to explore that, but not in a way where it has to cancel out or ruin my visual art career.

I realized that was what was happening in my work already. I think that's where, as artists, we begin to master our craft: when we're able to step back and understand things.