I have the dream to continue being in an art context, but also be able to continue doing stuff in television on the web.

I realized that was what was happening in my work already. I think that's where, as artists, we begin to master our craft: when we're able to step back and understand things.

What really made me a performance artist was that I was able to step back and assess. I've always had [that ability], but it was coming to an understanding.

If you want to be somewhere, you should go to that place and check it out.

I've learned that I need to learn how to direct without making the person distracted and keeping them comfortable, and pay more attention to lighting.

I almost feel like if I didn't have the gallery and museum content it would be easy to get lost. People's attention spans are so short; they see something and it trends for a few days and then it goes away and something else comes.

I was trying to release emotions, exercise emotions, and then I entered the art world. Even after grad school, some of [the earlier works] were still lingering in my head. I realized there were some pieces where I felt that I had to respond to the criticism.