I remember when both Gnarls Barkley and Justin [Timberlake] lost for Album of the Year [at the Grammys], and I looked at Justin, and I was like: 'Do you want me to go onstage for you? You know, do you want me to fight?

I had a dream I can buy my way to heaven.

In America, they want you to accomplish these great feats, to pull off these David Copperfield-type stunts. You want me to be great, but you don't ever want me to say I'm great?

I'm still just a kid learning about minimalism, and he's a master of it. It's just really such a blessing, to be able to work with him. I want to say that after working with Rick, it humbled me to realize why I hadn't - even though I produced "Watch the Throne"; even though I produced "Dark Fantasy" - why I hadn't won Album of the Year yet.

I gotta new strategy it's called no strategy. And I gotta way to sell more music its called make better music.

I know I wasn't allowed to go to fashion school; I can't cut a dress like Galliano, right? But I had enough wherewithal to go to that studio on my first collection and bring Kim, [stylist] Christine Centenera, Ian Connor, Theophilus London, Virgil Abloh...they all came down to [Vetements/Balenciaga designer] Demna Gvasalia's studio that night and hung out.

Whether I'm at a dinner with Anna Wintour or a listening party with Pusha T or in Rome with Virgil (Abloh, his style adviser) giving Fendi our designs and getting them knocked down... we brought the leather jogging pants six years ago to Fendi, and they said no. How many m*****f***ers you done seen with a leather jogging pant?