Im not really about blackness, per se, but about blackness and whiteness, and what they mean and how they interact with one another and what power is all about.

I think really the whole problem with racism and its continuing legacy in this country is that we simply love it. Who would we be without the 'struggle?'

There's no diploma in the world that declares you as an artist—it's not like becoming a doctor. You can declare yourself an artist and then figure out how to be an artist.

Silhouettes are reductions, and racial stereotypes are also reductions of actual human beings.

I don't think that my work is actually effectively dealing with history. I think of my work as subsumed by history or consumed by history.

One of my earliest memories involves sitting on my dad’s lap in his studio in the garage of our house and watching him draw. I remember thinking: ‘I want to do that, too,’ and I pretty much decided then and there at age 2½ or 3 that I was an artist just like Dad.

Im not really about blackness, per se, but about blackness and whiteness, and what they mean and how they interact with one another and what power is all about.