India went through a dramatic revolution after the '90s when our economy started opening up for the first time and Indians were now experiencing the Western life, if you will. Drugs and sex and a lot of those influences came in as the economy stabilized, and we were growing up and experiencing that. The Indian writing market was very small at that time. Our literature was very attuned to what Western audiences were interested in, so everybody was writing about the slums in India and magic realism or stories about Hindus and Muslims and partition.
Karan BajajThe first novel that I wrote was because I was having very interesting sorts of experiences, for Indians of my generation.
Karan BajajThe whole idea is that the combination of tight activity and slack activity allows me to be both productive and creative at the same time. In the four years that I am actually working in a proper job, I am earning money and I'm also writing with a lot of discipline on the side.
Karan BajajIn the yoga sutras, they have this beautiful analogy that the journey of life is like the flight of an eagle, or the journey over multiple lifetimes is like a flight of an eagle. First, the eagle stretches its wings high, high, high, and experiences everything that the world has to offer in terms of flight. It's growing and flying and it's experiencing, and then it brings its wings down gracefully and that is the completion of the journey.
Karan BajajThe concept of karma is a beautiful concept in Sanskrit. The whole idea of karma is that every being has an innate tendency - the karma of ice is to be cold, the karma of fire is to burn, the karma of the trees is to grow and bear fruit. In the same way, a human has a certain thrust. What I've realized is that my thrust is to be in the world, like in the world of business.
Karan BajajWhat has happened in most of my books is the call to the extraordinary world, the hero's push, or that push has come to him.
Karan BajajJourneys become very good metaphors. They always have the character put into circumstances that reveal him. If I had based my characters in New York and had them just sitting and thinking about life, it would be like what contemporary U.S. fiction is about. That is very heavy, literally, for me. It doesn't become mainstream enough because the pages don't turn themselves.
Karan Bajaj