Gypsy [Rose Lee] wasn't a linear person, and she didn't live life in a linear fashion. She was relentlessly self-inventing, and moved backward as often as she moved forward.

The cousin said that Gypsy [Rose Lee] took a full fifteen minutes to peel off a single glove, and that she was so damn good at it he gladly would've given her fifteen more. So this story got me thinking, who was Gypsy Rose Lee? Who could possibly take the simple act of peeling off a glove and make it so riveting that one might be compelled to watch this for a full half-hour? So I began researching, and I came across a series of articles from the year 1940 about Gypsy in Life magazine.

Classic burlesque in the style of Gypsy which many modern burlesque troupes practice is, at its core, so playful and teasing and innocent. It's not hardcore stripping so much as letting your body tell a story; the women are playing characters and unfolding a complete narrative onstage, with beginning, middle, and end.

Gypsy [Rose Lee] is as unique as she is timeless. Her story is classic Americana, and the strangest rags-to-riches saga you'll ever read; I like to call it Horatio Alger meets Tim Burton.

In Gypsy [Rose Lee] the musical, her mother, 'Mama Rose', is portrayed as a slightly eccentric, pushy, ambitious stage mother, but that version doesn't come close to the truth.

There is nudity, of course striptease is an essential component of burlesque but it's much more complex and intelligent than a display of nudity for nudity itself. And its often laugh-out-loud funny.

Female spies typically represented one of two extremes: the seductress who employed her wiles to manipulate men, and the cross-dresser who blended in by impersonating them.