I very much adore people who are outcasts, and I've always loved to be around interesting, circus-type people.

As a model, I am at the mercy of everybody else. It's much more of a situation where I go to work, put the clothes on, get in front of the camera, and then go home. But in that process, I never really have control over any of it. So, putting out a record, it's such a brilliant opportunity to be in control of things. It's my world, my music, and I can put it out there in a way that is meaningful to me.

I constantly have a devil on my shoulder telling me that what I'm doing is really horrible, and then somehow the lightning strike happens and everything comes together. I've just realized I have to live with that devil on my shoulder a little bit more.

I feel like somehow I'm living my life mentally in reverse. It's taken me to my 30s to feel relaxed and comfortable in my skin. I think I'm going to be dancing on tables when I'm 50. I really hope I am.

I've not met one person, even if they are not creative, who isn't dysfunctional. I guess artists are just a bit more aware of their dysfunction because it serves a purpose.

At school I got harassed so badly for being too tall, too thin, too pale - too everything that has gotten me where I am now, which is quite ironic.

Having children, you have so much more structure in your life. The open-endedness of being a single woman is gone, you know? It's sort of like, from 1 P.M. to 3 P.M. the kids are going to take a nap, so now I have time to sit down and write the lyrics, or once they're put to bed, I have a few hours to focus on those things. I need that. It's a very strange process, really - I can never predict what's going to happen. It always feels uncomfortable and awkward.