Observations,” he says. “Four imperial Unseelie guards were the only commonality I was able to isolate endemic to both scenes.” They’d been standing, armed, at the dock doors, overseeing the delivery. He gives me a sidewise look. “Wow. That was, like, a whole sentence. With nouns and verbs and connective tissue. Endemic. Fancy word.

When insane things start to arrange themselves in sane patterns around you, you know you got problems.

I can't help but see myself in them. The Seelie are who I was before my sister died. Pink, pretty, frivolous Mac. The Unseelie are who I've become, carved by loss and despair. Black, grungy, driven Mac.

All those 'bloodys' was a veritable cornucopia of emotion for Barrons.

It‘s funny how, when things seem the darkest, moments of beauty present themselves in the most unexpected places.

When Christian pushes into the brick wall of the building catty-corner to the rear of BB&B—first left on the Dark Zone side—and disappears, I melt down in a fit of the giggles. I toss a rock at the spot where he vanished. It bounces off the brick and clatters to the cobblestone. I'm feeling twenty shades of Harry Potter's train station, especially when he pokes his head out of the wall and says impatiently, "Come on, lass. This is hardly my favorite place to be.

He’s so beautiful,” she said wistfully. “He’s like an angel.” “Yep,” I agreed flatly. “The one that fell.