Granana doesn't understand what the big deal is. She didn't cry at Olivia's funeral, and I doubt she even remembers Olivia's name. Granana lost, like, ninety-two million kids in childbirth. All of her brothers died in the war. She survived the Depression by stealing radish bulbs from her neighbors' garden, and fishing the elms for pigeons. Dad likes to remind us of this in a grave voice, as if it explained her jaundiced pitilessness: "Boys. Your grandmother ate pigeons."

Mythology is a really beautiful vocabulary passed down through centuries that helps us understand the perennial parts of our nature.

"I'm not going anywhere," she told me that night. But until we are old ladies-a cypress age, a Sawtooth age-I will continue to link arms with her, in public, in private, in a panic of love.

Pain collected into deep pockets and I was aware of this painbut somehow I could not seem to feel it. It was like a body-deafness.

I swim with all my strength. No superhuman surge, or pony heroics; it's just me at my most desperate.

When I'm drafting, I suppose it's an intuitive process - figuring out when something just has a surreal glaze on it and when it grapples with something that could threaten a character's day-to-day reality.

Once you figure out what's best for the story, take out the rest.