I don't understand people who say they're bored. Look out your window.

Long Gone is the type of book that should come with a warning. It’s a compulsively readable, highly addictive story. The ending will leave you breathless.

I'm afraid of the general things that everyone is afraid of: a bump in the night that could be a cat or Death dragging his sickle across the room; losing my health; becoming homeless, never meeting George Clooney.

I am a bit of a Dudley Do-Gooder, though, because if I see a car accident or something bad happen, I am one of those idiots who runs toward the problem instead of away from it. Not that I would recommend this behavior.

I think a lot of guys who are on the internet a lot, they're kind of anesthetized to some of the violent language and all that because they see it all the time.

I am a voracious reader myself. I don't stick to one genre. My only criteria is that it's a good story. I try to bring that to my work because I think people can read your excitement about a story.

The plot is very important because writers have to play fair with their readers, but no one would care about the plot if the character work wasn't there. So, basically every book I work on starts with me thinking not just about the bad thing that's going to happen, but how that bad thing is going to ripple through the community, the family of the victim, and the lives of the investigators. I am keenly aware when I'm working that the crimes I am writing about have happened to real people. I take that very seriously.