A lot of men just don't read. They don't read fiction at all.

Long Gone is the type of book that should come with a warning. It’s a compulsively readable, highly addictive story. The ending will leave you breathless.

I went to a Christian School, and when I reached a certain age, I wasn't allowed to wear pants to school anymore. There was a big conference about it with my parents about how unladylike it was for me to wear pants ,this was a school where the principal and once of the coaches stood at the front door with a wooden ruler to make sure girls' skirts were an inch below their knee. So, from that day forward, I had to wear skirts, which meant that I couldn't play on the playground like I used to. I really feel like I could've been the next Serena Williams if not for that.

As a Southerner, I love obstacles for my characters.

First and foremost, I want people to have a good read, because I want everything I write to entertain people. There are always different layers to the story, though, so if you want to think about social justice, or sexism or racism or homophobia, or really drill down into why the world is a better place when the police force looks like the people they are policing, then that's there, too.

Ultimately, I'm in control of what's going on in the books, so I can back off, if it's scaring me too much.

The plot is very important because writers have to play fair with their readers, but no one would care about the plot if the character work wasn't there. So, basically every book I work on starts with me thinking not just about the bad thing that's going to happen, but how that bad thing is going to ripple through the community, the family of the victim, and the lives of the investigators. I am keenly aware when I'm working that the crimes I am writing about have happened to real people. I take that very seriously.