Long Gone is the type of book that should come with a warning. It’s a compulsively readable, highly addictive story. The ending will leave you breathless.

The plot is very important because writers have to play fair with their readers, but no one would care about the plot if the character work wasn't there. So, basically every book I work on starts with me thinking not just about the bad thing that's going to happen, but how that bad thing is going to ripple through the community, the family of the victim, and the lives of the investigators. I am keenly aware when I'm working that the crimes I am writing about have happened to real people. I take that very seriously.

I can’t—” Lena repeated. “I can’t do it. I can’t live without him.” Sara gently pulled her hand away from Jared’s. She smoothed down the sheet, tucked it in close around his side. She looked at Lena—really looked at her straight in the eye. “Good,” Sara told her. “Now you know how it feels.

As a Southerner, I love obstacles for my characters.

I don't understand people who say they're bored. Look out your window.

Books are not like albums, where you can simply download and enjoy your favorite chapter and ignore the rest.

Reading develops cognitive skills. It trains our minds to think critically and to question what you are told. This is why dictators censor or ban books. It's why it was illegal to teach slaves to read. It's why girls in developing countries have acid thrown in their faces when they walk to school.