As a performer, I could be like, "I don't want to leave that in there." But as a producer, I have to leave it in there.

I just think the David O. Selznick story is one of the great, epic stories of Hollywood history that nobody knows. Maybe one of the reasons why nobody knows it is because he wasn't a movie star.

I really feel like I could do anything if given enough time.

I think, because it's one of my favorite moments in [Charles Manson's Hollywood]. That series got a lot of attention and people talk about it a lot, but they tend to focus on the episodes that have more to do with the murder, Charles Manson doing something particularly weird, or Sharon Tate.

I was trying to see if I could produce an episode - completely write it and research it and record it and edit it - all by myself in a week.

I don't know if it's entirely fair to blame [Dennis Wilson] early death and complete self-destruction on his involvement with Charles Manson, but it was certainly a factor. It affected him psychologically and emotionally.

Now I'm in a situation where I have to plan very far ahead because there are people who are selling ads, so I have to really know what I'm going to do months in advance. If something's taking me a little bit longer to research, that's not okay. I can't take longer. I have to just get it done.