The thing that breaks my heart about [Dennis Wilson] is that he was very naïve from the beginning to the end.

The only Sundance [2011] film about cults that could actually have life as a cult film, THE WOODS has the greatest comic insight into why our current culture might inspire a search for meaning in the first place.

I really feel like I could do anything if given enough time.

The stuff that I've been doing lately is political. It's not always about people who are super famous movie stars. The fact that people are still taking a chance and listening to the blacklist episodes is really exciting.

I was trying to see if I could produce an episode - completely write it and research it and record it and edit it - all by myself in a week.

In terms of the way the industry operates, the studio system was such its own thing. It's so different now that it's a globalized world.

I think, because it's one of my favorite moments in [Charles Manson's Hollywood]. That series got a lot of attention and people talk about it a lot, but they tend to focus on the episodes that have more to do with the murder, Charles Manson doing something particularly weird, or Sharon Tate.