When you pick up a script and you can't stop reading it because it's a real page-turner, that's a good sign.

My philosophy is whatever you do, you've got to invest in yourself. If you don't, there are a lot of people out there who will get the job because they're more prepared than you.

Moon Bloodgood is so dedicated, and I was impressed with her dedication. She was put into some grueling situations - cold, freezing, thrown into mud puddles, cold mountains and she didn't complain once. A lot of actresses would have said, 'Ok, that's a half-hour reset for my hair and make-up' and she didn't; she stuck with it.

There's only so much you can do until you get on set and see the aesthetics of what you're dealing with. Then you see what the other players are giving to you. It's all about the transfer of energy between different actors.

That is a big danger, losing your inspiration. When I work in film and television I try to do each take a little differently. I never want to do the same thing twice, because then you're not being spontaneous, you're just recreating something.

I am in awe, in admiration of the man who Gaius Julius Caesar was. I don't actually do him as the man himself. He is maybe a distant relative. It's hard to approach the real man because he is such an awesome icon.

That's always an interesting concept when you try to make your dream into a reality and you come up against the facts of exactly what it is you're attempting to do.