Witty inspirations are the proverbs of the educated.

It is a thoughtless and immodest presumption to learn anything about art from philosophy. Some do begin as if they hoped to learnsomething new here, since philosophy cannot and should not do anything further than develop the given art experiences and the existing art concepts into a science, improve the views of art, and promote them with the help of a thoroughly scholarly art history, and produce that logical mood about these subjects too which unites absolute liberalism with absolute rigor.

The two basic maxims of the so-called historical criticism are the postulate of the common and the axiom of the ordinary. Postulate of the common: everything really great, good, and beautiful, is improbable, since it is extraordinary and therefore at least suspect. Axiom of the ordinary: our conditions and environment must have existed everywhere, for they are really so natural.

Duty is for Kant the One and All. Out of the duty of gratitude, he claims, one has to defend and esteem the ancients; and only out of duty has he become a great man.

What is lost in the good or excellent translation is precisely the best.

A genuinely free and educated man should be able to tune himself, as one tunes a musical instrument, absolutely arbitrarily, at his convenience at any time and to any degree, philosophically or philologically, critically or poetically, historically or rhetorically, in ancient or modern form.

Religion must completely encircle the spirit of ethical man like his element, and this luminous chaos of divine thoughts and feelings is called enthusiasm.