I tell [scriptwriters] I think [their scripts] has too many stereotypes, that even the way they come in and out of Spanish doesn't really make sense, it feels forced.

[Rhimes and Pete Nowalk] have definitely, from the pilot [of How to Get Away with Murder], brought forth a woman who is unapologetically herself, unapologetically flawed, and is as vulnerable as she is powerful. I'm grateful to be in that family.

Mexican food is one of the best culinary experiences that people can have.

Something I was adamant about was that the movie [Everybody Lovess Somebody] wouldn't end with, oh, marriage saved [the main character]. They're married and she's OK. I was very pushing on having the ending be that she made an inner growth of healing so that she can then have the ability and the space to love and be loved by someone else, and that love is open-ended and doesn't mean they're going to get married tomorrow and all her problems are solved.

I would get very frustrated reading scripts that were bilingual but maybe not bicultural.

I love that in this movie [Everybody Loves Somebody], you almost want to go and hang out with this family.

All the products that are sold to us - those anti-aging products - are telling us that there's a due date.