I would get very frustrated reading scripts that were bilingual but maybe not bicultural.

There's a lot of things, even the landscape that we show in the movie [Everybody Loves Somebody] of Ensenada in Baja is just spectacular. There's so much more - I wish we could have shown more, but I'm glad we didn't see the typical, you know, border-sombrero-tequila thing that we normally do.

In the movie [Everybody Loves Somebody], the sister tells my character, "No, don't you want to be with someone?" I think the family - especially in this movie - they know that the reason that Clara doesn't want to have an emotional, intimate relationship is more because she was hurt so badly from heartbreak that she's then being closed off and cynical.

Family is something that I grew up with, and the Mexican culture has a lot of, you know - Sunday is the day you spend with your family, and you have 40 to 50 people at your house, the uncles and the cousins, and I grew up with that.

Until they hired a Latina to write for Laurel [in How to Get Away with Murder], I was scared that she was going to fall into stereotypes.

Romantic comedies, if done badly, can be catastrophic.

What I do feel with the different scripts that they give me where I feel like this is done for one of those reasons, I share my point of view. I don't just say, "No, thank you." I say, "I feel that this represents Latinos in a wrong way, in a bad way."