I'm seeing more and more interesting horror come my way. More and more interesting thrillers and genre films are coming my way from the studio level, and they're financed and they have movie stars attached and all of that. But a lot of times, the storytelling just doesn't speak to me. It feels like it's still oftentimes coming out of a kind of prescribed notion of normalcy, prescribed notion of gender roles. There's not a lot of "new" seeming to be happening.
Karyn KusamaWomen still routinely get passed over when everyone sits around the table and says, "What's our list of 10, 20, 30 directors that we wanna put at the top of our list for this project?" You need more people who are either women who care about this issue or men who care about this issue, who are sitting in this room and saying, "Guys, where are the women? We need to be going out to women." And particularly in the projects that really could use a fresh feminine perspective, whatever that ultimately means.
Karyn KusamaI'm really interested in violence. And I think there's an inevitably cinematic property that violence brings to the moviegoing experience. But one still has to be thoughtful and mature about how you depict it and how you think it through. You have to think about the effects that violence has on audiences, and it's deployed so casually that I think it's losing its meaning. And when things like violence and murder and the dehumanization of other people lose their meaning, then we're really kind of in a place where we have to reexamine and take a hard look at ourselves.
Karyn KusamaTo me, the thing that sets us apart from so many other animal species is our ability to ask questions, investigate, gather information, come to our own conclusions, and sometimes depart from the pack, sometimes move away from the tribe. And I'm not seeing a lot of that right now among a sizable portion of American politics and American voters. I'm not seeing that kind of use of critical thinking, and it really, really freaks me out.
Karyn KusamaI do think it's possible for me to go back to the studio, and for a lot of women filmmakers to be going back into studio filmmaking with a different sense of their own agency, and a different sense of the respect that they can command. When you asked the question about whether women want to be making big studio movies, the answer is almost always yes. It's just, how do they want to be treated? What is that experience going to be? And if you know the experience is gonna be shitty going into it, I personally am at a place where I'm not willing to punish myself any longer.
Karyn KusamaWe have to accept that making movies is a never-ending process of occasional progress, frequent setbacks, and unexpected curveballs being thrown our way. Navigating that process requires stamina, curiosity, openness, and creative fire.
Karyn KusamaWhat I'm starting to really grapple with, as someone who likes to tell stories, is that humans more than any other animal species seem open and willing to control, assert dominance, and behave cruelly. That's a whole kind of new nightmare to really have to face about your own species. That we are, in some respects, cannibalistic, in that we are willing to destroy ourselves. That's really something for me to be exploring over the long haul.
Karyn Kusama