Women still routinely get passed over when everyone sits around the table and says, "What's our list of 10, 20, 30 directors that we wanna put at the top of our list for this project?" You need more people who are either women who care about this issue or men who care about this issue, who are sitting in this room and saying, "Guys, where are the women? We need to be going out to women." And particularly in the projects that really could use a fresh feminine perspective, whatever that ultimately means.

What I'm starting to really grapple with, as someone who likes to tell stories, is that humans more than any other animal species seem open and willing to control, assert dominance, and behave cruelly. That's a whole kind of new nightmare to really have to face about your own species. That we are, in some respects, cannibalistic, in that we are willing to destroy ourselves. That's really something for me to be exploring over the long haul.

Pain in all its forms is also a message, a kind of distress signal to our hearts and minds. There are times when it's really important to tune into that message and just listen to it.

I want people to leave the theater wrestling with the idea that our pain - physical, emotional, and spiritual pain - is more than just a condition that needs to be silenced, numbed, or "fixed."

There's no glory in climbing a mountain if all you want to do is to get to the top. It's experiencing the climb itself - in all its moments of revelation, heartbreak, and fatigue - that has to be the goal.

We have to accept that making movies is a never-ending process of occasional progress, frequent setbacks, and unexpected curveballs being thrown our way. Navigating that process requires stamina, curiosity, openness, and creative fire.

I am honored and lucky to be one of the first films funded by Gamechanger Films, a consortium of investors who finance movies directed by women.