I am used to wearing corsets. Even when I was first starting out it was either Shakespeare or Chekov. Everything that I was doing involved corsets. I guess I am just not destined to breathe that deeply.

I think you approach a part the same way and just find out in what's making them tick and who they are. In a movie like this you may have a little less time and few dialogue scenes and exposition scenes for your character to really get that across, and so I wanted to be able to convey that she's not somebody who's just punching a clock but she has this weird emotional investment in her job to where she does get quite myopic and that's what makes her relentless.

Everybody likes the underdog, because everybody feels like the underdog. No matter how successful you are, you always think, No one's being nice enough to me!

Yes, because it's Len's obsession with practical. I've never really had that experience that I hear people having of being on an empty soundstage painted green talking to a tennis ball on a stick.

As an actor, your motives and your own crazy psyche is really all you're responsible for in the movie.

I have a husband who literally worships me. And cleans the house. And blow-dries my daughter's hair.

My daughter comes with me everywhere. I don't leave her behind. But it is hard. I mean, I think any working mother will tell you that what kind of falls by the wayside, you know, are the hours of sleep that you wish you had, and all that. I feel incredibly lucky and blessed, but I do sometimes feel like that exorcist lady!