I think you approach a part the same way and just find out in what's making them tick and who they are. In a movie like this you may have a little less time and few dialogue scenes and exposition scenes for your character to really get that across, and so I wanted to be able to convey that she's not somebody who's just punching a clock but she has this weird emotional investment in her job to where she does get quite myopic and that's what makes her relentless.

Yes, because it's Len's obsession with practical. I've never really had that experience that I hear people having of being on an empty soundstage painted green talking to a tennis ball on a stick.

I feel like my brain is more geared towards a novel than it is to a movie.

I find a lot of things kind of funny and I often say what's on my mind, and then get nine texts from all my friends going, 'What's the matter with you?' But I haven't ever made a big attempt to have any particular image. And I don't really worry about it. If it's funny, I don't care.

I'm glad I've never been so successful that I couldn't stop doing one thing. I've kind of been able to just kick it along and switch around.

I think actors always like to think they don't bring the character home, and then their family all laugh and tell you otherwise.

It's wonderful to have the most important thing in the world there first thing in the morning. And especially in this business, where the opportunity to think everything is about you is there every day, now I really know that it isn't all about me.