This Western culture of ours tends to sacrifice the full range of experience to a lower common denominator that's acceptable to more people; we end up with McDonald's instead of real food, Holiday Inns instead of homes, and USA Today instead of news and cultural analysis. And we do that with the rest of our lives.

There are Easter eggs in every book I've ever written. I think in the first one I called Scientology "Diabology," but I was scared, so I didn't tell many people what it really meant.

I see fashion as a proclamation or manifestation of identity, so, as long as identities are important, fashion will continue to be important. The link between fashion and identity begins to get real interesting, however, in the case of people who don't fall clearly into a culturally-recognized identity.

I was obsessed, and like most obsessed people, I was the last one to know it.

Growing up we were secular Jews, but what I got out of Judaism at that time in my life was questions. Everything was a question. "Dad, is there a heaven? Is there a hell?" You never could get an answer. That informed a lot of my reasons for getting into Scientology, because they had all the answers. They said I was not my body, not my mind. I don't have a soul; I am an immortal soul. I've lived many lives and I'll live endlessly into the future, and as an immortal soul I have no gender.

We grew up creating this whole world view for ourselves because it's not there in the culture. What am I? And I have to build this world view in the absence of books, radio and television, anything, even conversation, Mom or Dad or brother or sister or friends. I have to build a world view of who I am or I go stark, raving mad. Every transsexual in the past has had to do this.

No matter how your world falls apart-and honey, that's what happens: we all build ourselves a world, and then it falls apart-but no matter how that happens, you still have the kind heart you've had since you were a child, and that's all that really counts.