When I've heard a piece of music or seen a painting that moves me, it gives me something.

I don't think it's a very nice idea [making biopic] at all. I don't think my life is that interesting.

50 Words of Snow just didn't seem to have the complications that quite a lot of albums have. It felt to me like it had this very good flow of energy.

Even just making albums - which was more within the structure that I've worked in for years - you have no idea how people will respond. You don't know if it'll be any good whatsoever. It can be terrifying.

[Theresa May] is a very intelligent woman but I don't see much to fear.

Its so fascinating to think about how each snowflake is completely individual - there are millions and millions of them, but each one is so unique.

I think as a mature artist, you're probably always trying to undo the compromises of one's self [in general]. It's not necessarily to do with youth.