As an artist, you're never happy with anything you do. It's part of the process.

It's not that I don't like American pop; I'm a huge admirer of it, but I think my roots came from a very English and Irish base. Is it all sort of totally non-American sounding.

Everyone of us has a heaven inside.

Its so fascinating to think about how each snowflake is completely individual - there are millions and millions of them, but each one is so unique.

I split it up into working on the two narrative pieces that can tell a story. The scariest thing was whether I'd be any good performing live again. It was such a long time since I'd done any live work. It's so different for me than recording. Every night my audiences were what I would dream of. You could just feel their support.

In some ways, when you re-envision a song like that ["Never Be Mine"], there's a completely different energy to it each night.

We deliberately chose a small theatre so that the show was still intimate and the audience would become a part of the show.