That doesn't matter. If it speaks to them and they get something positive from it, it's great.

Sometimes people mishear my lyrics and think a song's about something it isn't.

Apart from the first set - which used high-level concert lighting - once you stepped into the two narrative pieces, we were working with lower-level theatrical lights. In most cases, people were really respectful of that.

I think as a mature artist, you're probably always trying to undo the compromises of one's self [in general]. It's not necessarily to do with youth.

Artists shouldn't be made famous. They have this huge aura of almost god-like quality about them, just because their craft makes a lot of money. And at the same time it is a forced importance... It is man-made so the press can feed off it.

50 Words of Snow just didn't seem to have the complications that quite a lot of albums have. It felt to me like it had this very good flow of energy.

I'm quite a private person and I like my work to do the talking.