That doesn't matter. If it speaks to them and they get something positive from it, it's great.

I think we're all a party to this information all the time. It's every day, in a way we probably weren't a few years ago. We're more informed, which is a good thing because war is always there somewhere on the planet.

I didn't dare let my mind wander off.

When I was singing "King of the Mountain," it was a pivotal point in the show. That's the song that took us from this concert setting of individual songs into the theatrical narrative piece.

50 Words of Snow just didn't seem to have the complications that quite a lot of albums have. It felt to me like it had this very good flow of energy.

I don't really listen to my old stuff, but on occasion, I would either hear a track on the radio or a friend might play me one, and there was generally a bit of an edgy sound to it, which was mainly due to the digital equipment that we were using, which was state of the art at the time - and I think everyone felt pressured to be working that way.

I was so nervous every night that I had to really focus and keep myself in that moment so that I would not forget the words. I was really present for every song.