I don't know what Alison [McGhee] thinks, but I very strongly doubt that we will ever see the parents of Bink or Gollie. However, I do think it would be fun to make Tony Fucile draw portraits of the parental units and have those portraits sitting on Bink's mantel or in Gollie's kitchen. Glowering. A little.

It distresses me that parents insist that their children read or make them read. I think the best way for children to treasure reading is for them to see the adults in their lives reading for their own pleasure.

In The Tale of Despereaux, there is a lot of darkness, a lot of despair. There's also a lot of light, redemption, hope. There's forgiveness, there's friendship, there's love. But the world in all of its potential craziness is also there.

Mercy Watson is pure fun for me as a writer, because I think of her as kind of sorbet - a palate cleanser - between larger works. It's always a relief to come back to her.

I am just always, always paying attention - waiting for the words, or image, or name that will be the beginning of a story.

There's nothing more fabulous than an adult saying to you, "I think that you might like this one [book]." So I'm grateful every time that happens. It's an amazing thing that people care that passionately.

The words, "I have a dog named Winn-Dixie," popped into my head in the voice of a small girl with a southern accent. I'd been writing long enough at that point to know not to ignore that kind of red flag. The next day, I put aside what I'd been working on, started with that one sentence, and followed it all the way to the end.