When it is my editor telling me how to rewrite a story, I listen and do what she asks because I have learned that I get a better book in the end. I can't say I'm happy when I read that editorial letter. It is always a little painful and scary. But I have learned that - bit by bit - I can make the changes and do the work.

All of God's creatures have names, every last one of them. Of that I am sure: of that I have no doubt at all.

The funny thing is, when I've gone through the relentless editing process, my editor and I are amazed the Mercy Watson books still make us laugh. The same jokes that made us laugh the first time around still make us laugh in the 16th rendition.

There is a lot of love in him, a lot of love in his heart...And he is up there with no one and nothing to love. It is a bad thing to have love and no where to put it.

I don't know what Alison [McGhee] thinks, but I very strongly doubt that we will ever see the parents of Bink or Gollie. However, I do think it would be fun to make Tony Fucile draw portraits of the parental units and have those portraits sitting on Bink's mantel or in Gollie's kitchen. Glowering. A little.

Perhaps," said the man, "you would like to be lost with us. I have found it much more agreeable to be lost in the company of others.

Mr. and Mrs. Mr. and Mrs. Watson love Mercy [Watson]. Eugenia hates Mercy. Baby likes Mercy. Mercy loves toast. And the plot, if you want to be so generous as to call it a plot, turns on those elements. love Mercy. Eugenia hates Mercy. Baby likes Mercy. Mercy loves toast. And the plot, if you want to be so generous as to call it a plot, turns on those elements.