There ain't a body, be it mouse or man, that ain't made better by a little soup.

It is always just telling a story, regardless of the age of the reader. Except, if I'm writing something for kids, I know there has to be hope. I don't necessarily feel that responsibility for adults, but I emphatically feel it for children. That's the only difference. There's no syntax difference. There's no semantics difference. There's no thematic difference.

Open your heart. Someone will come. Someone will come for you. But first you must open your heart. (Old Doll)

In The Tale of Despereaux, there is a lot of darkness, a lot of despair. There's also a lot of light, redemption, hope. There's forgiveness, there's friendship, there's love. But the world in all of its potential craziness is also there.

I need to write, and I can't write when I'm on the road.

There is a lot of love in him, a lot of love in his heart...And he is up there with no one and nothing to love. It is a bad thing to have love and no where to put it.

I was over at Alison's [McGhee], I think we were playing Scrabble. I remember we were both complaining - yeah, we sound like whiners - about how hard writing is, and how we didn't have a story to work on. Alison said, 'Why don't we work on writing something together,' and I said, 'Eh, I don't know if I could work that way.' She said, 'Well, just show up here and we'll see,' and I said, 'Well, what would it be about?' She said, 'Duh, it'd be about a tall girl and a short girl.' So I agreed to come and try it for a day.