On the return flight from my mother in Florida , I sat next to a businessman who asked me what I did for a living. I said, "I write," and it seemed totally ridiculous in the face of what had just happened. I mean, I couldn't think of anything more pointless than telling stories. He asked, "What do you write?" I said, "I write children books."

Mercy Watson is obsessed with toast. What was blocking me was the challenge of trying to understand what she loves, what motivates her. That was the missing piece. Toast became the physical symbol of Mercy's hopefully endearing greed and obsession. Without that element in place, it didn't make sense.

In The Tale of Despereaux, there is a lot of darkness, a lot of despair. There's also a lot of light, redemption, hope. There's forgiveness, there's friendship, there's love. But the world in all of its potential craziness is also there.

What I hope is that the book [Bink & Gollie] delights children. What I hope is that they laugh and laugh and laugh, just as we did when we wrote them.

If memory serves me correctly, and it doesn't always, Kate [DiCamillo] and I met in the fall of 2001 at the former Figlio's restaurant in Minneapolis. We were laughing within a minute of meeting - always a good sign.

As far as books getting turned into movies, I fared very, very well.

It's a weird kind of disconnect that this whole story [he Miraculous Journey of Edward Tulane] grew around a real doll of mine, and here he is, with his "Edward" expression on his face. It's kind of reality bumping into fantasy.