The Tale of Despereaux came at the request of Luke, my friend's then-eight-year-old son, who asked, "Write for me the story of an unlikely hero with exceptionally large ears."

Men and boys always want to go fight. They are always looking for a reason to go to war. It is the saddest thing. They have this abiding notion that war is fun. And no history lesson will convince them differently.

I didn't know at the time I was writing Because of Winn-Dixie where the story came from, but in retrospect I can see that it was a response to a terribly harsh winter here in Minnesota.

I'm continually astonished with myself how different people bring out things in me that I never knew I had inside me. Each new friendship can make you a new person, because it opens up new doors inside of you.

I think we sent Tony Fucile pictures of ourselves, photos from like when we were seven years old. That's what he worked from. He captured exactly what we looked like. I'd love to do another one with Alison, not just for the joy of writing, but also for the joy of watching Tony bring it to life with his illustrations. I'm hoping at BEA, or ALA, I'll get to meet Tony and shake his hand and thank him.

Her sister, Holly McGhee, is an agent, and she's my agent in New York. She's Alison's agent too. Even though Alison lives here in Minneapolis, I met Alison through Holly, when Holly came to Minneapolis to visit Alison.

If memory serves me correctly, and it doesn't always, Kate [DiCamillo] and I met in the fall of 2001 at the former Figlio's restaurant in Minneapolis. We were laughing within a minute of meeting - always a good sign.