So here I am, sending a two-ounce mouse down into a dungeon with a sewing needle to save a human princess, and I don't know how in the world he's going to do it. I have no idea. That was the first time it occurred to me that writing the story was roughly equivalent to Despereaux's descent into the dungeon. I was tremendously aware of that as I was writing. I thought, "I have to be brave or else I'm not going to be able to tell it." But it's the only way that I can write. If I know what's going to happen, I'm not interested in telling the story.

I would hesitate to say the characters [ in Bink & Gollie] are too related to either to us [me and Alison McGhee], but they certainly draw on our physical traits and personality traits and then exaggerate them to the nth degree.

There's a notion of art in this country that you have to be nutty or special or "called" in order to be an artist. I believe the questions everyone should ask themselves are, "Do you want to do it? Are you willing to do it poorly? Are you willing to do the work of doing it? Are you willing to persist when everybody tells you it's silly?" If you're willing to do that, then you can do it.

I am busier now than I ever imagined I would be, but I feel blessed in that I have found what I am supposed to be doing with my life. It's wonderful to tell stories and have people listen to them.

I read whatever the publisher sends me.

Holly McGhee said I should come to dinner with them. That first dinner, I said something pretty smart-alecky, and Alison [McGhee] laughed really hard at it. It made me happy.

The way we started was, Alison [McGhee] said, 'Tall girl, short girl.' We had no plans beyond that.