When I do it [writing] by myself, there's a lot more terror and uncertainty.

The way we started was, Alison [McGhee] said, 'Tall girl, short girl.' We had no plans beyond that.

I've never worked with a co-author before [Alison McGhee]. Writing for me is a pretty scary thing, so it was a huge comfort to have someone in the room working with me. It became less like work and more like play.

Understand, I had absolutely no interest in writing; I wanted to be a Writer.

Love is ridiculous. But love is also wonderful. And powerful. And Despereaux's love for the Princess Pea would prove, in time, to be all of these things: powerful, wonderful, and ridiculous.

There's nothing more fabulous than an adult saying to you, "I think that you might like this one [book]." So I'm grateful every time that happens. It's an amazing thing that people care that passionately.

The book [The Miraculous Journey of Edward Tulane] is about the fact that living in this world means that your heart is necessarily going to get broken. But the book also says that's okay. That's the only way to live a truly human life - with your heart getting broken - and eventually getting flooded with love.