Mercy Watson is obsessed with toast. What was blocking me was the challenge of trying to understand what she loves, what motivates her. That was the missing piece. Toast became the physical symbol of Mercy's hopefully endearing greed and obsession. Without that element in place, it didn't make sense.

The closest I can get to describing what happens is that voices come to me. I feel like I'm accessing something that is deeper and richer than me.

Alison [McGhee] and I have known each other since the summer of 2001. One evening we were sitting around talking about how we wished we had a good story to work on. Alison said: Why don't we work on a story together? I said: A story about what? And Alison said: A story about a short girl and a tall girl.

Men and boys always want to go fight. They are always looking for a reason to go to war. It is the saddest thing. They have this abiding notion that war is fun. And no history lesson will convince them differently.

The origin of each story is unique.

I'm not exactly sure how old the girls are [in Bink & Gollie], but I can pretty much guarantee that their parents will never show up. That would mess up the fun. I do, however, very much like Kate's idea of having Tony [Fucile] draw their portraits.

I will be brave, thought Despereaux. I will try to be brave like a knight in shining armour. I will be brave for the Princess Pea.